I. Identification.
- It is all about making sure that animated forms feel like they’re in three-dimensional space in terms of volume and weight, balance, shadow, and the anatomy in a pose.
- It is a method of photographing successive drawings, models, or even puppets, to create an illusion of movement in a sequence.
- It is the preparation for the main action.
- It directs the audience's attention to the most important elements in a scene.
- Is the idea that separate parts of the body will continue moving after the character has come to a stop.
- It is what gives flexibility to objects and is debatably the most fundamental principle.
- As any object moves or comes to a stop, there needs to be a time for acceleration and deceleration.
- It refers to the actions that support or emphasize the main action to breathe more life into the animation and create a more convincing performance.
- It refers to the duration of an action, and the speed and velocity of an action.
- It is used to push movements further, adding more appeal to an action, and should always be implemented to some degree.
II. Essay.
- How does anticipation contribute to animation storytelling?
- Explain the concept of staging in animation.
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